Animating Process Translating Change With Respect

Abstract

While structures In this <aty are at rest, individuals and the set ting that sews themtofcther is not. The city of Lahore moves endlessly. The rood lifhts continue to change, cars and buses continue to cruie by, doors and windows to houses and buildings continulilly open and close throughout the day, whereasthe conductionemploysfrequentlyerectand tear down structures, jnis arrangement of motion inside the city, that keeps the ptce developing and changing, is in constant flux. This mcyement deciphers the abstract exis tence of thecity into rlalism that keeps emerging over time. It is profoundly tied tS the aesthetic phenomena and the performativity ofspacSs in Lahore, which then infuses a car nivalesque environm^t into the realm. Conventional struc tures are comprehended as built, this permanent context canbeunderstood asa stagnant partotLahore, which then becomes the backdilp of the animated scene of the city that is momentary, arfd is In on unending movement. And indeed the essence of the city dies when subjected to per fection and being static. The architecture is the immobile frame through which motion passes, generally, it is compre hended and developted as something stationary and stag nant, however, in rea|ty, it is moving lives. It is the existence of these two realms i.#. ineiT and kinetic, which coincide to gether in obscured aSwell as tangible aspects on the same